The Yamato and her crew face the onslaught of the Comet Empire, a civilization from the Andromeda Galaxy who seek to conquer Earth, led by Prince Zordar. They have harnessed a comet and is using its terrible power to unleash destruction upon its rivals and inferiors... which are in fact everyone. The Space Battleship Yamato heads back into action. But this time, it shall not return, and much of the Yamato crew have signed on for their last voyage.
Toshio Masuda, Leiji Matsumoto
Director
Kei Tomiyama
Susumu Kodai
Yoko Asagami
Yuki Mori
Gorō Naya
Juzo Okita
Shūsei Nakamura
Daisuke Shima
Kenichi Ogata
Analyzer
Shinji Nomura
Yoshikazu Aihara
Yoshito Yasuhara
Kenjiro Ota / Politician C
Akira Kamiya
Saburo Kato
Kazuo Hayashi
Yasuo Nanbu
Kazuyuki Sogabe
Akira Yamamoto / Razelar
Akira Kimura
Ryû Hijikata
Tran Quoc Bao succeeds in telling us a story about martial arts, human decay, and friendship. The originality shown by his filmmaking is admirable and brings fresh air to the classic Chinese martial arts genre.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
Diversity is incorporated in a way that only aids in a well-rounded conveying of stories through different lenses. The show’s success is a testament to what audiences are craving: authentic stories that broaden the mind and heart.
Released on Disney+ during the pandemic, this musical tells the story of founding father Alexander Hamilton and depicts the formation of the United States with a diverse cast.
I am an Armenian who has a mild form of epilepsy. I rarely see Armenian culture and epilepsy properly portrayed in film or TV. I delve into the how and why.