Ramira returns to the Misiones rainforest from where she ran away after the birth of her son. Her efforts to rebuild the bond with her mother and her son, who does not recognize her as his mother, are complicated. Her family questions her abandonment of the child and fights with her over the deceased father's inheritance. The child struggles between two mothers, while Ramira seeks to find a sense of reinsertion in the middle of a labyrinth of hybrid languages and customs.
Christopher Nolan transforms Homer's ancient epic into one of the most breathtaking cinematic spectacles of his career. While its nonlinear storytelling and exposition occasionally hold it back, The Odyssey is a visually stunning, emotionally resonant blockbuster that demands to be seen on the biggest screen possible.
In a post-Gamergate media landscape, it's ambitious to have a film confront the harsh reactions to women in gaming from a comedic lens.
'Riders of Justice' perfectly depicts some masculinity problems present in our society. Moreover, it talks about how hard is to lose someone and how different people deal with the situation.
Rip Tide is a coming-of-age film that teaches viewers about finding yourself and reconnecting with surroundings.
Hokum is an enjoyable horror film that will probably get a little under your skin, but it isn’t the tour de force that you might be expecting.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
