Monster (2023): When the Truth Is Not in the Telling but in the Seeing
Not every silence is empty. Some are filled with things too heavy for words.

Katie, from the United States, and La Coneja, from Argentina, break up after an intense relationship because neither of them was willing to emigrate to stay together. One night, Katie shows up unexpectedly to "end things on better terms."
Not every silence is empty. Some are filled with things too heavy for words.
A masterful portrayal of a long-forgotten story that needs to be told.
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
Hope has great characters, inventive ideas, an incredible imagination, a palpable intensity, and numerous other aspects that make it one of the best of the year.