A classic South African comedy in which a young Jamie Uys plays producer, writer, director and star, and his wife Hettie Uys the romantic interest. Somewhere in the bushveld, Hans Botha is doing the usual farm rounds when his friend and neighbour comes around with an urgent request: please collect the new teacher at the bus stop. The shy Hans is alarmed, saying he does not know how to talk to women. Prevailed on nevertheless, Hans sets off in his old jalopy, which for good measure has no brakes. He eventually arrives at the bus stop, where the teacher, Martie, is waiting patiently. She is pretty and young and the already flustered Hans proceeds to flatten her hatbox, allow the car to run off with her, and dump her in the river. By the time Hans says goodbye, Martie is angry and he is in love
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
Falling in love with 'Rocketman" all over again.
This thrilling film about feminine rage and male hostility is an incredible depiction of the fragility of the male ego.
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
