TIFF ‘22 Coverage: ‘The Fablemans’
'The Fablemans' is Spielberg's most personal work to date, the cast delights audiences at the TIFF premiere.

The music of Nigeria’s reclusive synth funk innovator William Onyeabor has reached a new level of exposure via Luaka Bop’s excellent Who Is William Onyeabor? compilation last year, yet many hard facts about Onyeabor’s biography remain elusive. In their new documentary “Fantastic Man,” Noisey speaks with musicians and champions of Onyeabor’s music, including our own Quinton Scott and Duncan Brooker who included the sublime “Better Change Your Mind” on the first Nigeria 70 compilation, about their appreciation for his music, and the search for the facts about his life.
'The Fablemans' is Spielberg's most personal work to date, the cast delights audiences at the TIFF premiere.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
'Playing with Fire' was clearly a film made for a kid or tween-ish audience. Keeping that in mind, I thought 'Playing with Fire' was alright, though it did portray some harmful stereotypes.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
Why is 'The Green Knight' so white? People of color are so removed from the origins of 13th century art. We’re looking toward the future, and part of that should be updating aspects of our stories to mirror those evolutions.
'Kajillionaire' is a touching and eccentric story about family, crime, and the search for belonging.