
In the Basque Country, two friends, José and François, live a cheerful life. The two sly foxes use their wit to boost the business of an innkeeper they have a connection with. José is in love with Angélica, the innkeeper"s daughter, while François courts petite Annette. José also happens to have a beautiful voice and one day a night club manager hears him and wants to hire him. He will have to choose between Angelica, the inn, his roots... and a singing career in Paris.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
Who knew a drunken game of truth or dare could launch one of the most chaotic rom-coms of the year? The Threesome takes Connor’s fantasy night with Olivia (Zoey Deutch, in peak queen-of-indie form) and Jenny (Ruby Cruz) and flips it into a deliciously messy nightmare when both women end up pregnant. What follows isn’t cheap comedy—it’s a whip-smart, heartfelt exploration of love, consequence, and the beautiful disasters we call adulthood.
Udo Kier takes center spotlight in 'Swan Song' as Pat Pitsenbarger, a gay beautician who comes out of retirement for one last job and rediscovers himself along the way.
A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.
2025 has just about wrapped, so we’re taking this time to celebrate the most inclusive films that came out this year. Graded on Gender, Race, LGBTQ, Disability, and more