If "light" is the protagonist of film, the idea would not change if "darkness" replaces "light". Yoshimoto proves this point with most simplicity. Placing a tiny point of ray in pitch black, his darkness achieves a limitless depth. This style goes under trial from around 1988 – a squirming object in drowning darkness goes through a transition from a solid machinery part to a soft Japanese architectural fixture to a misty female figure. Each of the objects, a subject of fancy, is placed in good balance, mingling with Rei Harakami's sound effects. This is one of Yoshimoto's most intense works.
Spiral could easily spawn new sequels and will most likely churn a decent profit. Is it a good Saw film? Absolutely. Could it have been revolutionary though? Also yes.
This coming-of-age movie is about a group of girl trying to find their missing friend after a wild night none of them can remember.
Here's what Disney got wrong with "Aladdin" and how it can avoid those pitfalls with "Hercules."
Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.
Richard speaks with Dia Frampton about some of her experiences with acting and music.
