How to Make a Misogynistic Movie and Call it Feminist
"Ladies First" has a fundamental misunderstanding of what's feminine because of the patriarchy and what women do because they genuinely enjoy it.

Pearl Randall, a 66-year-old widow, announces that she is planning to remarry, but her three grown children express conflicting emotions. Daughter Terri captures on tape the family's attempts to come to grips with Pearl's new romance.
"Ladies First" has a fundamental misunderstanding of what's feminine because of the patriarchy and what women do because they genuinely enjoy it.
Housefull 5 attempts something bold with two endings — but does the gamble pay off? Read this spoiler-filled review for a breakdown of both versions, standout moments, and why it might be the franchise’s most forgettable entry yet.
This magical reboot introduces a new set of Charmed ones, much to the ire of fans of the original series.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.