NYFF Review - 'The Inspection' Unearths Empathy in the Trenches of Bootcamp
The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.

Mykola got a routine life, he wants inner change and spiritual development. His wife Svitlana has her own vision of family life and is not going to change it. Will Mykola have the strength of spirit and courage to stand up for his new habits, keep the respect of his friends, and not succumb to temptations? Mykola will have many surprises along the way, to a new life.
The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
The biggest highlight of the film is easily the performance of Andrew Garfield. In his days since hanging up his Spiderman suit, Garfield has routinely churned out great performances, and Mainstream is no exception. He proves that he is willing to try anything and go anywhere in a character.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.