
Two childhood friends from a tough Milanese suburb—one a low-level drug dealer, the other stuck in a back-breaking, underpaid job—find their bond tested when they both fall for the same girl against a backdrop of escalating social unrest in their neighborhood square.
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
This comedy brings a big surprise to Josh and his family when they move to New York City and struggle to adapt to their new friend.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.