Gus Van Sant's Constant Thematic and Cinematic Elements
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.

Roger Mivic, a struggling gay artist, is about to open his first one-man show at local gallery and is struggling to complete several large canvases for the opening. His work is full of anger and rage. Societies intolerance has left its mark on Roger. He has, himself, been a victim of bashing, as have several friends. Because of experiences in his later teens, he has become obsessed with the violence rained down upon gay men and the lack of concern society has shown. This obsession boils out in his art that is full of violence and rage. Such canvases fill his loft: the exception being a single romantic painting.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
An aspect of She-Ra that I find refreshing is even though a large portion of the cast is on the LGBTQ+ Spectrum, being gay is never mentioned. While this might initially sound like a negative thing, in the show’s land of Etheria being on the gay spectrum is shown to be so common and normalized that straight isn’t the default. As much as there is to appreciate about narratives revolving around the obstacles that may come from being non-heteronormative, it’s nice to get immersed in a world where no one bats an eye at all to any sort of differing identity.
‘Run Sweetheart Run’ has everything women fear the most, from psycho boyfriends to tampons.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
The Djinn is about childhood traumas and lifestyle changes. It tells the story of Dylan (Ezra Dewey), a mute boy who blames himself for his mom’s death. He also condemns himself for being speech-impaired, and he thinks that if he did not have that condition, everything could had been different.