'La Loca Y El Feminista' (MiamisFF Review): A Necessary Dialogue
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.

70 minute film written and directed by Olivier Roberge and Patrick Boivin. Stripped from excessive romanticism and literary embellishment, FALL, FINALLY is an urban chronicle of ordinary beauty that tells the story of an unusual triangle between one's daily life, his quest for meaningful love and the utter importance of friendship. 70 minutes movie written and produced by Olivier Roberge and Patrick Boivin. Film de 70 minutes écrit et réalisé par Olivier Roberge et Patrick Boivin. Dépouillé de romantisme excessif et d'enjolivement littéraire, ENFIN L'AUTOMNE est une chronique urbaine de la beauté ordinaire qui raconte l'histoire d'un triangle inhabituel entre la vie quotidienne, la quête d'amour sincère et le rôle primordial de l'amitié. Film de 70 minutes écrit et réalisé par Olivier Roberge et Patrick Boivin.
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
At its heart, it’s a fond tribute to an influential artist and thus one that can speak to everyone’s inner artist, even if it lacks the sincere commentary you may wish to see.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.
Have you ever wondered what it's like to work at the greatest arts and entertainment company? This documentary film gives us a look at the people who make the magic.
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?