Everything The Critics Got Wrong About ‘Pinocchio’
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.

Noriyasu seems like an average third-grader, but his life goes haywire after he catches his mother reading his private daily journal. In an effort to astonish her, he begins writing outlandish lies about a giant snake in the bathroom, cooking pencils for dinner, and a rain of pigs, but Noriyasu is the one who's shocked when his writings play out in reality and everyone else treats the events as normal. Things become even more chaotic when he takes several stabs at being a newspaperman, producing “fake news” that become the talk of the town and one resulting in an apocalyptic porcine holiday.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?
I am an Armenian who has a mild form of epilepsy. I rarely see Armenian culture and epilepsy properly portrayed in film or TV. I delve into the how and why.
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.
While the camera is objectifying her body to invoke a sexual response in male viewers, Lara Croft still defies the expectations of women in action films.
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.