Underwhelming Presence
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.

Quinn, princess of the demon-sucking tribe that torments humans and feeds on their energy, was thought to have been defeated. But Quinn was mortally wounded but survived, transformed, and sharpened his fangs of revenge against the Fair Princess/Mitsuki Hanamiya. Unaware of this, Mitsuki smiles at the thought of her childhood friend Anna Fubuki, a female detective who has gone to America. Before her, Hibiki Fujima, a female detective who admires Anna and sees Mitsuki as her rival, appears and declares war on Mitsuki. In the meantime, Hibiki is attacked by Kraja, a monster sent out by Quinn. Fair Knights went to help, but Fair Icicle and Fair Riot were trapped inside Kraja and unable to fight. Can Mitsuki and Hibiki, two repulsive individuals, join forces to defeat Quinn and Kraja?
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
Being made after the death of Chadwick Boseman will be a hard but exciting ride for this Marvel entry.
'Call Me Kate' is for the fans. It's an intimate account of an iconic film star.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.
This magical reboot introduces a new set of Charmed ones, much to the ire of fans of the original series.
Alongside A Drowning Man, I Signed The Petition, 3 Logical Exits, and A World Not Ours, A Man Returned continues to paint a realistic portrait of the Refugee Crisis that eschews the Western gaze and stereotype. These are real portraits painted by a director with lived experience, cultural connection and an amazing eye for visuals.