Garfield the Movie: A Failure in Adapted Characters
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.

Set in an alternate universe, in a college called FAERYVILLE, a group of teenage misfits struggle to find themselves and make sense of their ‘purpose’. They decide that there is no reason in trying to fit-in, trying like ‘everybody’ to be ‘somebody’, choosing instead to mock the establishment, as pranksters – calling themselves The Nobodies. Now, what’s their plan? Frankly, they have no idea, until Laer, a transfer student, joins them and takes them on a warpath of self-discovery and no return. Faeryville is a dystopian teen movie, a stylish coming of age film about youth making sense of their idealistic dreams in our increasingly surreal world - a fictional manifestation of very real issues prevalent in the Post 9-11 world.
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.
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The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.