“Godzilla: Minus Zero” is a Worthy Sequel
Minus Zero is better than the previous film in some ways, and inferior in other ways.

Minus Zero is better than the previous film in some ways, and inferior in other ways.
When the world lost Chadwick Boseman on August 28, 2020, we all saw the impact of representation in film. Boseman was not only a Black superhero leading a Black cast in one of the most successful films in history; but his successes paved the way for more, long-overdue diversity in Hollywood.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
As Andrew’s life begins to change, his passion for drumming soon becomes a spiraling obsession in the pursuit of perfection. Through the use of disturbing and abusive training methods, Fletcher puts Andrew through emotional and physical agony.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.
"Hustlers" returns power to groups that are traditionally deprived of it: women, the working class, and sex workers.