
The heart of this dramatic story based on the novel by Leopold Lahola is the search for the principle of humanism. The story plays in a single day towards the end of World War II in a rough, snow-covered landscape where a German soldier escorts his prisoner with orders to shoot him. The background of the story is formed by the flashbacks of the partisan soldier being interrogated by a Russian commissar who wants to know all about him being taken prisoner. The German soldier Helmut Kampen escorts the captive partisan who is condemned to death but finally manages to flee. The commissar wants to know why the Germans did not kill him and accuses the partisan soldier of collaboration
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
GOAT (2026) opens to the chanting of a crowd: "Roots run deep!" The rest of the film goes on to echo that sentiment, offering gorgeous animation and a heartfelt story along the way.
While prioritizing production value over substance, Flood depicts an emotionally taut family drama set during the farmland flooding of the Franco-Dutch war.