Faceless 

An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.

The second season arrives over three years after its first. While late on arrival, most audience members will be happy.

Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.

Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.

Based on the novel by Jennifer Mathieu and directed by Amy Poehler takes on intersectional feminism.

"Terrace House" improves on the standard reality TV format by affording its cast privacy, freedom, and respect.