
Dan Stone's band may have just been dumped from their record label, but they're still young and they still feel like they've got a few hits left in them. Of course, everybody knows that nothing rockets a band to the big time better than the death of a lead singer, and when the band agrees to fake Dan's death in exchange for some well-timed publicity, the plan pays off better than they ever might have expected. The trouble is, a beautiful female reporter has been assigned to investigate the mysterious death, and now, as her reporter's instincts lead her ever closer to the truth, the "dead man" realizes that the girl of his dreams is also the girl who could destroy his career if news breaks of the band's elaborate ruse.
I highly recommend Kill Bill: Volume 2. In classic Tarantino fashion, specific sections of the film are a tad too long, but overall, it’s a wonderful piece of escapist fiction.
‘Exhibiting Forgiveness’ seeks to ask one question, “What do you do when your parents are the source of your pain?”
The sparks of a dangerous conspiracy ignite a mystery in this sequel based on the mysteries of Sherlock Holmes.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.