"Lyle, Lyle, Crocodile" Brings a Big Surprise
This comedy brings a big surprise to Josh and his family when they move to New York City and struggle to adapt to their new friend.

Jodie, a police inspector, is tasked with finding out who sabotaged the technological system that governs every aspect of daily life: from transport to global security, from health care to management of essential services. Without a quick solution, hospitals will collapse, casualties will increase and the country could be plunged into an apocalyptic scenario. To carry out the investigation, Jodie must rely on her father Mark and an unlikely ally: Matt, a hacker with a criminal past. The clues seem to lead to a single culprit, Doctor Borghese, a respected psychologist who lost his job because of artificial intelligence. But is he really responsible, or is someone trying to frame him? The film explores, through interviews with experts and fictional scenarios, how technology is transforming cities, mobility, healthcare, sustainability and even space exploration.
This comedy brings a big surprise to Josh and his family when they move to New York City and struggle to adapt to their new friend.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.