'The Mad Woman and the Feminist' Review: MiamisFF
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.

In the year 2045, where the Internet and AI are commonplace even in space, and centers on a group of children stranded in space after a large-scale accident occurs in a space station. By using narrowband, social networking, and a drone that they can manipulate through smartphones and low-intelligence AI, they overcome many crises.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
‘Oppenheimer’ is a force to be reckoned with. A biopic that respects the audience’s intelligence.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
The story of the loss of innocence of the young prey who has been maimed by the predator. *Trigger Warning, sexual abuse and assault is discussed in this short film.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.