'The Invisible Man' (2020)
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.

This film shows that today's youth can live in shabby dwellings, frequent noisy bars, and also go to school. We encounter the central character, Oskar, in two stages of development: in the first, he drinks himself into a stupor out of unhappy love, mourns the lover who broke up with him, and makes futile attempts to win her back. In the second part of the story, he pulls himself together, devotes himself to sports and working out at the gym, clarifies his priorities in life, and successfully arranges for computers to be put into operation. But soon, bored, lonely women begin to value things other than knowledge, and Oskar gradually becomes a sexual predator.
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
Chickenhare and the Hamster of Darkness explores true identity through exploration.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
A summary of the films featured in this annual event taking place in Westchester.