'Don't Look Up' Wasn't Much to Look Up to
Adam McKay might have been more concerned with cramming cameos than he was in this story which is a bloated criticism of the rich and famous… delivered unto us by the rich and famous.

An attempted burglary of a strip club goes awry when one of the three burglars kills a man who draws a gun. This results in the trio taking the dancers and the customers hostage. Why the robbers don't go ahead and escape when the shooting occurs is beyond the viewer. Then all the hostages escape and hide in the club's refrigerator which sort of indicates the intelligence of the stick-up men. Unfortunately, the cops outside are no more intelligent as they stand around outside wondering what to do as one of the strippers who was released crawls back into an extremely large venting system for a small club and rescues the hostages with the help of an ex-cop held inside the club.
Adam McKay might have been more concerned with cramming cameos than he was in this story which is a bloated criticism of the rich and famous… delivered unto us by the rich and famous.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
Richard speaks with Dia Frampton about some of her experiences with acting and music.
Explore the tension between director intention and viewer interpretation in this review of the excellent sci-fi horror of 'No One Will Save You.'
Though 'Bound' technically falls under the genres of crime and thriller, the film's heart is a romance between two women.