In a small seaside town, a group of people discover their dark past and repeat their bad habits, even those from the time of inquisition and persecutions of witches. They're ought to repeat these actions as long as they start to experience love and forgiveness in some of the following stages of reincarnation.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
"There is something going on between us that I cannot unravel."
A Christmas movie that is not about a middle-class, straight relationship but centers on a lesbian couple.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
