All Too Well: The Short Film and the Hysteria
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.

The film centres around a single excerpt from a news video, taken off the internet. The clip is of a family hiding behind a wall in a neighbourhood in Beirut, Lebanon. The neighbourhood has become a warzone. Over time the compressed video is slowed down, enlarged, and gets a new soundscape. Additional dimensions are revealed in the scene, and a troubling contrast between imagery and content is created, leading to an anxiously destabilising affect in the viewer.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
Monster's plot is built around Steve Harmon's false accessory to felony murder accusation, and the anxiety and desperation experienced by him during incarceration and the corresponding trial.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
The power to function. As people, we are richly blessed to have the wide ranging scope of what we can accomplish…physically and mentally…that aid in everything we desire to strive for and, ideally, accomplish. However, what if someone was experiencing daily life with these elements….only in a more muted manner?
Villeneuve’s Dune is a masterpiece for its crafting process, but references to David Lynch's picture are sometimes too obvious.