Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Ex-Con poster

Ex-Con 

Lt. Ariel Vergara one of the police officials who handles the Anti-Narcotics Command goes undercover and pretends as an inmate named Turo to befriend a significant illegal Chinese Triad member, Kai. He soon earns the trust of Kai, who hires him as his personal bodyguard. Turo takes advantage to observe the syndicate’s secret ritual, people, operations, and connections. Turo then reports his observations and gathered evidences to Col. Fajardo and Lt. Tam, to seize the Triad’s Philippine sector.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Lt. Ariel Vergara one of the police officials who handles the Anti-Narcotics Command goes undercover and pretends as an inmate named Turo to befriend a significant illegal Chinese Triad member, Kai. He soon earns the trust of Kai, who hires him as his personal bodyguard. Turo takes advantage to observe the syndicate’s secret ritual, people, operations, and connections. Turo then reports his observations and gathered evidences to Col. Fajardo and Lt. Tam, to seize the Triad’s Philippine sector.

Rating:
Genre:Action
Directed By:Toto Natividad
Written By:Willy Laconsay
In Theaters:
Box Office:

Runtime:97 minutes
Studio:Star Cinema – ABS-CBN Film Productions

Articles You May Like


'The Half of it' Handles its Presented Social Issues Thoughtfully

The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.

Andrea Amoroso