Will 'The Bad Guys' Become Modern Citizens?
A group of criminal animals tries their best to reform themselves into good citizens to avoid serving time in prison.

Zagreb. A family: Ana, the mother, Katarina, Tvrtko and Drazen, her three grown up children, and Tvrtko's girlfriend Natasa. The story begins in the morning when Natasa, after a quarrel with her boyfriend, comes back home, a two-bedroom apartment where her mother and brothers live. This brings a little bit of confusion in the family's everyday schedule. Through many dialogues we get acquainted with the members of the family, their personal problems and frustrations and their interesting and sometimes strained relations with no serious hard feelings, though, their biggest problem being the financial inability to move away and start living on their own.
A group of criminal animals tries their best to reform themselves into good citizens to avoid serving time in prison.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
As legal dramas go, we rarely see an African-American actor in the lead role. "The Burial" has several.
Lady Bird (Saoirse Ronan) tells her mother (Laurie Metcalf) that she wants to live through something — something that matters.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.