
A young huntsman Kamil comes to a distant backwater from Tashkent. He is settled in the place of his predecessor, in the house of Asal, a young strange girl who is painfully experiencing the premature death of her mother. The loneliness of the heroes will be replaced by a mutual need for sympathy and closeness. But one day, having witnessed the humorous flirtation of his beloved with a laboratory assistant, Asal will leave the reserve and will not respond to the long call of an alarmed Kamil.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
Madres takes place in the 70’s following a Hispanic married couple who move to a migrant farming community. Diana, who is pregnant, starts to become suspicious of their new environment after she and the women around her develop strange symptoms. Could it be a curse, a sickness, or something else?
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.