Delves into hope and resilience in a post-COVID world. The film centres on Alice, a young doctoral student who explores humanity’s narratives while battling her own emotional detachment. Her life takes a turn when she meets an enigmatic stranger, igniting a transformative journey through haunting black-and-white cityscapes.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
Escape The Field is a serviceable horror thriller. The characters are easier to remember as horror character tropes. As I wrote this review, I only remembered the characters by their tropes: #FinalGirl, #Everyman, #Badass, #MeanB*/SexyGirl, #Realist/BlackLesbian, and #TheNerd.
The film is bogged down with one-off rain monster threats that always come to a quick and undramatic end
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.
This coming-of-age movie discusses immigration issues in the United States through the eyes of two exchange students in Brazil.
