A young playwright is moving out of the home that used to house her relationship with an actor. Before driving away, she remembers leaving her diary somewhere in the house. Making her way back in, she is faced with the physical manifestations of moments in her relationship. With her journeying deeper, her memories distort, as she is forced to face what her relationship truly was. A horrifying monstrosity.
By having two of its most beloved characters go to space in a Pontiac Fiero attached to a rocket, among other antics, F9: The Fast Saga overwhelmingly achieves the task of out-crazy-ing its predecessors.
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.
This coming-of-age movie is about a group of girl trying to find their missing friend after a wild night none of them can remember.
I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.
The Summer I Turned Pretty series adapts the beloved trilogy into a bingeworthy TV show and introduces a new generation to Belly, Conrad, and Jeremiah.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
