The Enduring Beauty of “Persepolis”
This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.

Nacho, a young man in his mid-thirties, is losing control of his life. In order to finance his various addictions, he has accumulated large debts with dangerous moneylenders. Fearing he no longer has control over himself, he flees to the city, leaving everything behind. There, he meets a woman who is older than him and falls in love with her. Lucia is very supportive of his development into a better and more adult Nacho. As Nacho’s mother is lying on her deathbed, he is forced to return home and face everything he had left behind.
This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
On their new show, The Kardashians, the famous family continues to use their personal lives as advertisements for thier billion-dollar businesses.
Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.