Is an Australian drama film directed by Alkinos Tsilimidos and released in 1994. Based on a play of the same name, written by Ray Mooney, the film details the early life of contract killer Christopher Dale Flannery and is set inside Melbourne's HM Prison Pentridge's maximum security H Division.[1] Filming was undertaken at HM Prison Geelong. Dale, a remandee, is awaiting a court hearing and yet to be sentenced, highlighting the horrific injustice of the repeated beatings he's subjected to. Gradually Dale becomes indifferent to the bashings and horrors of prison life and develops an alternative, subversive way to exist and express his rage. As Dale walks defiantly from the prison in the last scene to be tried, the failure of the correctional system to produce docile, disciplined bodies pulls its last punch. Even if the system has enframed Dale he has maintained his sanity and his voice.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
The story of the loss of innocence of the young prey who has been maimed by the predator. *Trigger Warning, sexual abuse and assault is discussed in this short film.
An aspect of She-Ra that I find refreshing is even though a large portion of the cast is on the LGBTQ+ Spectrum, being gay is never mentioned. While this might initially sound like a negative thing, in the show’s land of Etheria being on the gay spectrum is shown to be so common and normalized that straight isn’t the default. As much as there is to appreciate about narratives revolving around the obstacles that may come from being non-heteronormative, it’s nice to get immersed in a world where no one bats an eye at all to any sort of differing identity.
