Making a Killing in 'Killers of the Flower Moon'
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.

Shinichi Tsuda, a Naoki Prize winning author, is working to publish his newest story. It revolves around Tsuyama, a driver for a call girl business in Toyama Prefecture, who comes across a mysterious counterfeit bill and has his life targeted by underworld kingpin Kurata. Is his story fact or fiction? His editor, Nahomi Torikai, decides to verify whether his latest work is mere fiction based on real-life experiences. She looks into a family that vanished, a post office worker who went missing, a shady load of cash, the whereabouts of the doves, and the fateful encounter from that night... A series of shocking facts are revealed from Tsuda’s stories. Why did the counterfeit money end up in Tsuda’s hands? What is the “ending” that Tsuda wished to portray?
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.
If you are a discerning movie watcher and/or an African-American with a modicum of Black consciousness, this film isn’t for you. It would be better to watch the documentary ‘They Fight’ to see the impactful, emotional story of Walter Manigan and the young men of DC’s Ward 8.
A throwback to the last months of the 20th century in this comedy film.
It’s 2021 and what few LGBTQ+ films that are produced by major film studios continue to star cisgender heterosexual actors, rather than actual LGBTQ+ people.