“Hunter”: When Enthusiasm and AI Aren’t Enough for a Coherent Story
The Brazilian filmmaker Alexandre Alonso’s Hunter is a film with a lot of ideas, but with very little holding those ideas together.

Max is a 14-year old petty thief in a small New Jersey town who fancies himself a guy with all the goods. When his rivalry with Willy, a thin-skinned fireman, flares up, Max seeks vengeance by stealing the heart of Willy's fiancé, Shelly. Willy's jealousy inflamed, he cuts the half-pint hero down to size. Max responds by resolving to end their rivalry once and for all. With gun in hand he arrives at Willy's house foe the final showdown. But is Max man enough for the job?
The Brazilian filmmaker Alexandre Alonso’s Hunter is a film with a lot of ideas, but with very little holding those ideas together.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
The legacy of this movie starts off the film series with a bang of magic, plot twists, and battles.
Indie director, Niki Caro (known for 'Whale Rider') directs the live-action 'Mulan' and sets another example of strong females fighting against gender inequality.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
A teen comedy that nobody wants to see.