
In the center of the plot is a screenwriter hired to create a new film. He writes a script about his childhood in the post-war Moscow courtyard. About how the boys were at enmity with the firemen, how they tried to blow up the fire, and how the firemen took revenge on them ... And how the boys ate the earth, swearing allegiance to each other ... And about who passed the test and who did not .. In his memoirs the script writer seems to be walking around in circles, returning to his childhood, as the brightest part of his life, where he very much wants to return, like a prodigal son in his father's house...
What are we willing to walk through to see our dreams come to pass? Our minds might be so wholly alive with the passions we carry and the plans we make to see these things become all we wish them to be, yet life doesn’t always want to come alongside. Instead, obstacles arise, both physical and mental, which attempt to dissuade us or even prevent us from moving forward, stalling or stagnating the momentum to achieve what we desire. The age-old question remains….can we overcome? Or will we BE overcome?
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
I have talked with founder of Red Nation Television Network, Joanelle Romero, and the future of Indigenous representation looks bright.
A young girl named Hailey Mays sings a country song that is named after the film's title.