“Concrete Cowboy” (2021) Review: An Endangered and Unknown Subculture
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.

The musical and soul-searching journey of Gabriel Belhassan, musician, former orthodox Jew and recently diagnosed with manic depression. After being released from a mental institution he began working on a solo album. But leaving his family and moving to Tel Aviv frightens him - the urban solitude, pressure, disturbed sleep and totality of the music bring on the disease again. His manic attacks have him standing on the brink of sanity, reaching out to God, just as he did when he was a child. Refusing to give up, he struggles to finish the album and receive the artistic acclaim he so desperately wishes for.
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.
It’s no wonder Peele won an academy Award for Best Original Screenplay. His script is layered with perspective and subtlety. Through a terrific vision, Peele creates the gift that keeps on giving. The clues and symbolic representations are aplenty, and as each viewing passes, you are destined to find something new. That’s a mark of great cinema.
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.
This young adult movie focuses on relationships in this high school reunion.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.