'Concerto For Humanity': The Eras We Live In
‘Concerto’ is esoteric at best, meant to satisfy the non-melanted’s sense of nostalgia. It is revisionist at worst, cherry-picking images that defy the true tapestry of the human condition.
Eurythmics: Sweet Dreams
London, 1983. The iconic synth-pop band Eurythmics performs at the legendary gay club Heaven.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
London, 1983. The iconic synth-pop band Eurythmics performs at the legendary gay club Heaven.
Rating:
Genre:Music
Written By:
In Theaters:
Box Office:
Runtime:61 minutes
Studio:Jon Roseman Productions, RVP
Cast
Derek Burbidge
Director
Dave Stewart
Self - Guitar
Annie Lennox
Self - Voice
Pete Phipps
Self - Drums
Dean Garcia
Self - Bass
Vic Martin
Self - Keyboards
Maggie Ryder
Self - Backing Vocals
Gill O'Donovan
Self - Backing Vocals
Susie O'List
Self - Backing Vocals
Lorraine Luke
Self - Gospel Choir Singer
Juliet Fletcher
Self - Gospel Choir Singer
Errol Brown
Self - Gospel Choir Singer
Articles You May Like
Kate Called the Shots in 'Call Me Kate'
'Call Me Kate' is for the fans. It's an intimate account of an iconic film star.
'Morbius' Uses Vampirism as a Queer Allegory
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
“Bound” Review: A Thrilling, Sultry, and Timeless Love Story
Though 'Bound' technically falls under the genres of crime and thriller, the film's heart is a romance between two women.
The Gap Between 'You' Season Two and Three Was Almost Two Years...was It Worth the Wait?
Season three of Netflix’s "You" has finally made its comeback! Was it worth the wait? Well…I would not say so. It felt like a bit of a chore to get through. But, as I am somewhat of a completionist, I eventually saw the season through to the end.
With 'American Fiction,' Cord Jefferson offers a fresh lens on the cinematic sub-genre of racial satire
Cord Jefferson's hilarious and thought-provoking film continues a long-standing cinematic tradition, expanding the conversation around the impact of systemic racism in today's media.