'The Killer,' Sponsored by...
David Fincher is back in his playpen, with a dark and chilling thriller.

Pedro, a foreign worker in Switzerland, learns that his mother is in hospital in Spain. Isolated from the world on his employer’s farm, he is asked to take one of the cows to slaughter before leaving for his country. Waiting for news from Spain, he arrives late at the slaughterhouse. At this same time, his brother calls to tell him that his mother has died. His world collapses and, still with the cow, he begins a wandering in which he will manage to accept his loss.
David Fincher is back in his playpen, with a dark and chilling thriller.
“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
Marvel’s first Asian superhero film, 'Shang-Chi', deserves praise for balancing epic superhero action, a heartfelt family plot, and positive Asian representation.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.