Not Much More than Magic in 'Maestro'
In 'Maestro,' we're left with an impression but not with an understanding of the main character.
Eugene Onegin - DOR
When Eugene Onegin enters Tatyana's orderly life, he appears to her like a character from her novels. The young, inexperienced woman falls head over heels in love with the urbane bon vivant. But he rejects her affection; his restless lifestyle is not suitable for a long-term relationship. Years later, the two meet again. The mature Tatyana has entered into a marriage of convenience with the much older Prince Gremin and has become a wealthy woman. Onegin is shocked to realise that Tatyana would have been the right one for him after all. How will she respond to his passionate confessions… German director Michael Thalheimer stages his fourth production for Deutsche Oper am Rhein, creating a world of unfulfilled longings in a society that has grown tired of itself.
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When Eugene Onegin enters Tatyana's orderly life, he appears to her like a character from her novels. The young, inexperienced woman falls head over heels in love with the urbane bon vivant. But he rejects her affection; his restless lifestyle is not suitable for a long-term relationship. Years later, the two meet again. The mature Tatyana has entered into a marriage of convenience with the much older Prince Gremin and has become a wealthy woman. Onegin is shocked to realise that Tatyana would have been the right one for him after all. How will she respond to his passionate confessions… German director Michael Thalheimer stages his fourth production for Deutsche Oper am Rhein, creating a world of unfulfilled longings in a society that has grown tired of itself.
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