Bring Her Back: the Psychological Threat and How to Grieve Properly
The external threat invaded the domestic environment at the most valuable moment: grieving.

A surreal and metaphysical story around an extravagant character, "Eu" [I/Me]. "Eu" marries his beloved and well-loved bicycle. Accused of the murder of the vehicle, he escapes from prison and becomes president of the government.
The external threat invaded the domestic environment at the most valuable moment: grieving.
A haunting look at grief, survival, and a mother’s quiet collapse in a world that never gave her room to fall.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.