Women Are Just Convenient Puzzle Pieces in “Animals”
A deer caught in the headlights is the perfect metaphor for Animals.

For more than half a decade, Etheria Film Night has been one of the world’s most respected showcases of new horror and genre films made by emerging women directors. The 2020 Etheria Film Night Shorts Lineup includes Waffle (directed by Carlyn Hudson), Maggie May (directed by Mia'kate Russell), Basic Witch (directed by Yoko Okumura), The Conversion Therapist (directed by Bears Rebecca Fonte), Offbeat (directed by Myrte Ouwerkerk), The Final Girl Returns (directed by Alexandria Perez), LIVE (directed by Taryn O’Neill), Man in the Corner (directed by Kelli Breslin) and Ava in the End (directed by Ursula Ellis)
A deer caught in the headlights is the perfect metaphor for Animals.
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.
The multifaceted musical represents America in the 1960s and the battle against bigotry as an ensemble cast portrays how to fight for the limelight.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'