Escapist proudly presents Our World, featuring Sean Malto, Mikey Santillan, Shaun McKay, Joseph Lopez, Josh Crane, Josh White, Bryant Doerfler, Keelin Austin, Scotty Laird, Rod Harper, Ernie Torres, Dillon Aguilar, Garrett Olinger, Mike Webb, Ryan Pearce, Max Chilen and Jesse Doan. Edited by Ryan Lovell. Filmed by Tyler Krupski, Dylan Burke and Ryan Lovell in Kansas City, LA, Japan and Puerto Rico.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.
In order to learn why an arguably outdated fanfic trope was resurfacing in the contact zone of popular culture, I dove into a vibrant trough of character development.
“There’s always something you can do…to make people feel like they’re welcome”
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
It’s been awhile since I’ve seen a film that is jarring within the first five minutes. Being at the edge of my seat from the very beginning made me feel both excited and frightened for what was to come, and it did not disappoint. Led strongly by Jennifer Lawrence as Grace, a woman trapped in the “American dream”, this film shows that society tells us what should make us happy. Many critics describe Die My Love as being about post-partem depression, but it is so much more. After moving to a secluded home with her husband Jackson, Grace finds herself in the throes of motherhood. Feeling isolated in her physical environment and her romantic relationship, Grace suffers psychologically. Lawrence brings a sense of rawness and humor to the screen that is often uncomfortable. Robert Pattinson adds to the discomfort as her loving, yet lost husband Jackson, who cares about his wife but does not know how to help her. Lynne Ramsay has presented a film that forces us to look at the realness of life, and what happens when the promise of what should make you whole fails.
