Quintessential Directors: Barry Jenkins
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.

Since her parents' death, 19-year old Della lives with her aunt Marsha and Andrew, her old husband. One morning Marsha has sex with Alex, her husband's doctor. Right afterwords, Della seduces him at the beach while Marsha watches them from her window. The two women have a fight which results to Della leaving the house. She finds refuge at Maria's (a friend of hers) place but as it appears she is missing and the house is inhabited by Aris and Samantha. Della makes a pass at Aris, managing to infuriate Samantha. In the meanwhile, the local authorities are investigating the murder of Aris' business partner, Steve Brynner. When all trace leads to Aris, Della suggests a swap: She'll travel to Italy to get fake passports for the couple as long as they accept to murder Marsha.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
A complex, realistic, and loving mother-daughter relationship is at the heart of this story about Black pageants and the fight for a better future.
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.