"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

Orhan makes money by cheating at the casino run by Feyyaz. He is sentenced to two years in prison for fraud. While in prison, he decides not to get involved in illegal activities again. After his release from prison, the prisoners collect money among themselves and give it to Orhan to run a coffee shop owned by one of the prisoners. Atıf, who runs entertainment venues in the neighborhood where the café is located, does not welcome Orhan as a competitor. On the other hand, Feyyaz is trying to convince Orhan to work for him again.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
Middle school best friends reunite in middle age - Magalie is a chaotic free spirit “freeloader”, Blandine is a divorcée “sourpuss” with severe depression. The Palm Beach Film Festival opening night was glamorous for “Two Tickets to Greece”, the first screening of the French film in the United States.
Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.
A direct fall into the white savior narrative
In light of the trailer release for the Five Nights at Freddy's sequel, it’s due time to talk about the first movie.
The film basically says she was a lost cause from the start. We don't get a sense of who Marilyn was.