Yara (2021): An Unfocused True Crime Narrative
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.

Satoko Watabe, who calls herself Erica was organizing business support meetings, and collecting a fortune with a fictional investment story, under the order of her lover Ikuo Hirasawa. But she finds out that Hirasawa was actually dating multiple women and was betraying her. Once she cuts contact with Hirasawa, she seduces a rich old man, and obtains a luxurious house. She invites her mother who is in a care home to come live with her, and starts her own fictional “business support” sessions to defraud people. During her visit to Thailand, she meets a young man Porche. Erica falls in love, and enjoys her honeymoon. But the police were looming right around the corner...
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
“Eleanor The Great” is a feel-good story that explores how we cope with grief and loss while educating us about the horrors of the Holocaust.
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
The second film takes us on Peter's journey to be understood.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.