Eric Clapton’s lifelong passion for the blues burns brightly inNothing But The Blues. The film – which was broadcasted once in the U.S. on PBS in 1995 and nominated for an Emmy®Award – has been upgraded to 4K for its long-awaited official release. Written and produced by Scooter Weintraub and executive produced by Martin Scorsese, the documentary includes an in-depth interview with Clapton conducted by Scorsese. Throughout the interview, Clapton discusses his love for the blues and the profound impact bluesmen like Muddy Waters and B.B. King had on his music. Many of those artists (Robert Johnson, Howlin’ Wolf, Buddy Guy, T-Bone Walker) appear in the film through vintage performances, interviews, and photographs. The film also features 20 previously unreleased live performances recorded in 1994 during the legendary guitarist’s tour supportingFrom The Cradle, his Grammy-winning, multi-platinum blues album.
Sinister and suffocating, 2022's The Black Phone delivered more than just scares - it brought atmosphere, depth, and a villain audiences won't soon forget.
Unrelentingly funny, highly entertaining, and ridiculously absurd, My Movie Starring Paul Dano is, according to its creator, Joe Bartone, a tribute to the willful ignorance of independent filmmaking found in the late '70s in New York City. Developed through open discussions with the cast at the reading table, the mockumentary follows a delusional and fame-starved indie director, Herman Rumowicz, through the process of making his very first feature movie starring Paul Dano.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
World-famous drag queen Trixie Mattel shares a year of her life with the world in this vulnerable and uplifting documentary.
