Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

Depicts perfectly to the concept of unconditional love, mutual respect and patriotism towards beloved country through a Malaysian flag eraser. The journey of how a ruined family survives the broken pieces from the love of a family of different cultural beliefs. As love witnesses no gender, race and religion but respect and humanity actions between individuals.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
In this short film, writer/director Nikita Hattangady focuses on Jai, a starving artist rooted in the latter category. Though unhoused, he works hard.
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.
A homeless girl faces depression and uncertainty during the holidays.
Tom Clancy's Without Remorse has everything a movie director from the 80’s could wish.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.