“Street Fighter” is Diverse, But That’s It
Street Fighter cannot be genuinely recommended, even if it is abundantly clear that much effort was expended.

Episodes from an Investigation is an essay/narrative film presented as a series of fragments from the lives of numerous cinephiles and radicals living in 21st Century America. The film cuts between three related narratives: a film collective on a journey to find a mysterious film theorist/filmmaker; a couple whose relationship is falling apart as they each work on pieces concerning the cinematic past and the cinematic present; and two cinematic radicals holed up in an unknown location trying to understand how to revolutionize cinema.
Street Fighter cannot be genuinely recommended, even if it is abundantly clear that much effort was expended.
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.
Word of mouth has been incredible, but the film's faults cannot be ignored.
Escape The Field is a serviceable horror thriller. The characters are easier to remember as horror character tropes. As I wrote this review, I only remembered the characters by their tropes: #FinalGirl, #Everyman, #Badass, #MeanB*/SexyGirl, #Realist/BlackLesbian, and #TheNerd.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
Some moments of the series are intense and ends on a cliff-hanger that will have you yearning for a second season.