
The telefilm Epilog Yasmin tells the story of Yasmin and Nasir, an engaged couple who are about to get married. Nasir is a writer who often shares his dreams with Yasmin. Nasir frequently states that his novel will become a "hot seller". Yasmin merely laughs off her fiancé's dream because she considers Nasir's aspirations to be nothing but fantasies. One day, Nasir has an accident and dies without having the chance to complete his novel. After Nasir's death, Yasmin strives to finish the novel for the sake of their love.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
Magnolia focuses on how one’s childhood and trauma relate to their confidence and self.
As a musical fan, I enjoyed the film and encourage anyone who likes dark humour and a bit of blood to give it a watch.
The newest in a long line of Cinderella adaptations, Amazon’s Cinderella (2021) prizes girlbossification above the very story it tries to adapt.