“Come Play”: Creepy Concept, Lackluster Story
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.

Ciprì and Maresco's delicious documentary portrays Sicilian super-agent Enzo Castagna, a man with some 20,000 extras on his books, who has worked with the likes of Loren, Pasolini, Rosi, Coppola and Cimino (indeed, virtually anyone who's ever chosen to film in Palermo). It's typically weird, witty and wonderful, partly due to its subject, a self-styled 'little big man' who consents to be described as 'almighty' and 'the greatest contributor to Italian cinema in the last 35 years'. The local favourite has also done time for bribery, but refuses to comment on Cosa Nostra. The film is as astonishing as its subject. Shot in luscious b/w, it's driven forward by an offscreen interrogator who alternates between ludicrously hyperbolic flattery and forthright questions about corruption and crime. It also serves as a study of the way ethics get abandoned in the unending pursuit of fame, wealth and self-esteem.
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
Four documentaries, now streaming on the Criterion Channel, embody the adopted slogan of the current protest movement: Woman, Life, Freedom
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
A world of expansion awaits.
The more we learned with each passing minute the bigger the reveal. This film ends with a serious bang and it was truly a joy to watch.
An unlikely friendship changes the hearts of men, and helps a young boy come into his own.